Tuesday, January 26, 2016

Stretching Your Art Self

We have an art museum in our town, the Grants Pass Museum of Art. It is a bonus, living in a small town, to have this kind of inspirational source. This time of year is our chance to give back to the museum and invest in its continued success. I donate a painting every year for their "Black, White and Blues" event. This year I chose an oil painting I did several years back. It is amazing to see how my faces have changed....

I also agreed to "art up" a mirror for the silent auction. I thought I could paint it and that would be it. A week and half later and it is done....best laid plans!
I loved the mirror and chose it without regard to how difficult it would be to work with a curved, cove style surface.
As I looked at the frame I thought it would be fun to challenge myself and do more of an assemblage piece. 

Collage...always pretty safe to start with. 

I had a tin shrine on my work table and thought that would work for the top. I had to figure out how to attach it. My trusty hubby unsoldered the cover and I attached the base with screws. I neede to hide the gap from the curved frame underneath. Out came the moulding paste. 

I decided to put moulding paste on almost everything. I had to include the back of the shrine because it will reflect in the mirror. What a mess!

My first choice for a face in the box of the tin shrine...too sweet! I was developing a darker theme, sort of Snow White/Rose Red...

I decided I liked the more sinister face instead.

I made an apple out of paper clay and inserted a doll's eye, stem and leaf with text on it. I thought the mini grapevine would help to hide the glue and fill in that darn cove!

I made some roses out of polymer clay. I liked how they turned out, but they are fragile. This is what happens when you don't really know what you are doing. I plan to find a book on how to make more stable clay items after this is done. The roses are wrapped with some leaves I had with text printed on them. I painted them with clear gesso to make them stiffer.

I painted the whole thing white and figured out the layout.

I found some vintage roses and collaged them onto the front of the shrine.

I burnt some pages of "Snow-White and Rose Red" and added those to the inside.

I used grapevines for the rose stems and nailed those onto the frame. I soaked them in water to prevent them from splitting when nailed and wrapped them in wire to form the curves. 
Once that was done I was lost in the painting process. Many layers of colors and dry brushing with white until I liked it. Of course I was in the zone and did not get progress pics....someday I will figure out how to capture that part. Time lapse maybe?

I love how all that moulding paste looks like old wood. Adding a little drippy red to the red rose side.

"White" rose...I attached the roses to the frame with liquid nails and wire wrapped around the grapevines.

Shrine closed.

Shrine Open...I used color pencil to add more definition to the face.

Serious clamping job to glue top of shrine onto the box...

Finished frame with shrine closed.

The finished frame whith the shrine doors open.
 This project really did stretch my creative muscles. I  learned alot and realized the joy that can be had problem solving. This project proves my theory of art making: Always say yes and figure it out as you go. 

If you are in the Southern Oregon area, I will see you at the Black, White and Blues Art Auction and Gala Event.
February 13, 2016
This piece could be yours!

Tuesday, December 29, 2015

Atom Journal Page #21

While on vacation I was able to complete a journal page. I tried to take photos as I went. As usual, there comes a point where I am lost in the process and am missing a few steps, but I think you can still get an idea of the progress. I use old books for my journals and adopt part or all of the original title for each journal. I number the pages before I start to work. This makes it easier to organize the digital files of my finished pages.

I began on a page in the journal that was prepped with random collage and a coat of Golden Absorbent Ground. The ground allows me to use watercolor on the collage surface.
 I added a face from my random "character file" - a folder of faces I have roughly drawn on various papers with different media.
This one was an ink and watercolor pencil sketch on gessoed red rosin paper.

I used the collage as a guide for the body placement and shape.
A dog was added to give my character something to do!

Vintage magazine legs were added.
Don't you just love the shape...

I outlined the entire character and dog with watercolor pencil and started to blend it with matte medium.

This is the part where I get involved and forget to take photos.
I added color with pencils and pan watercolor. I always work on top of the added collage to make the character seamless.  I used heavy body Titanium White acrylic for the highlights.
I used a Sharpie white water based paint pen to add some accents and flowers.

I used a muted yellow watercolor for the background and added a bit more blue and red to the flowers to make them stand out.
The wings on the dog were made with a rubber stamp loaded with fairly dry watercolor. 
A few accents added to the doggie wings with pencil. More white pen around the flowers.
 Page 21 of the Atom Journal is done.

A little San Diego Zoo cuteness! A new baby giraffe.
This photo shows how much growing he has to do...

The Meerkats and I wish you a Happy New Year!!

Saturday, December 5, 2015

Artmaking: A Creative Vocation

 I recently took part in a local high school mentor program where working artists meet with students interested in persuing Art as a career. I looked up the meaning of "career" because it did not feel right to me. I really think that "vocation" is a better description of the life of an artist. Vocation is defined as: a strong feeling of being destined or called to undertake a specifice type of work. Artmaking is not a 9-5 job, it is a lifestyle. I am compelled to create something...anything, otherwise I get cranky! So my "vocation" is to do whatever it takes to be able to continue to create.

In light of my personal definition of life as an artist, I decided not talk about different careers in Art - leave that to school counselors. Instead, I focused on general things that have helped me as a working artist. It was a fun experience and I decided to jot down some of the things I shared after the meeting. After looking at the list, I thought it would be fun to share it on the blog. Here it goes:
  1. Practice saying "I am an Artist."  If you don't believe, no one else will.
  2. Design your own educational path. It does not have to be all formal classroom education. Experience is a great teacher.
  3. Always say "YES"  and figure it out later. All my best experiences and connections have occured when I said "yes" to something out of my comfort zone.
  4. Practice, practice, practice - it takes WORK to be really good at what you do.
  5. Keep a sketchbook to document your process. Record what inspires you, try out tools, ideas, what works and what does not. Consider them a resource and a record of your personal journey.
  6. Work toward developing your own style by your choices in subjects, colors,  materials and their application. Use an inspiration board  to help you figure out what your are really interested in and re-evaluate periodically, as your tastes and interests will evolve. 
  7. Get feedback and support. Bring your sketchbook with you everywhere. You never know when you will have a chance to get feedback on what you are doing. Choose a safe audience  - family and friends to gather support.
  8. Post your pictures on social media when you are ready. Pinterest and Instagram are a great place to start.
  9. Allow yourself to be curious and keep asking WHAT IF?
  10. Participate in a collaborative projects, enter competitions, submit artwork to the publications that interest you.  Rejection is a necessary evil of a creative career, so create some positive self talk to get through the tough spots.
  11. Find your "People." Not everyone will like what you do, so keep pushing your art out until you find the folks who "get" your work.
  12. My favorite reading list for a creative life are:
·       Art and Fear - Observations On the Perils (and Rewards) of Artmaking, by David Bayles and Ted Orland
·       Steal Like an Artist, by Austin Kleon
·       Big Magic by Elizabeth Gilbert

Friday, October 16, 2015

Museum Love

I just returned from my first trip to New York City, after teaching at Art Is You, Stamford, CT.

When I travel I make it a point to go to as many museums as possible. We only had 4 days, so I dragged my hubby all over New York to see the top museums on my list.

The first was the Morgan Library, historic private library of Pierpont Morgan, which includes 3 Guttenburg Bibles and stacks of rare books. They also have rotating exhibits and I was lucky enough to catch "Alice: 150 Years of Wonderland." I saw early writings and drawings of the author Lewis Carroll (Charles Dodson) and the illustrator John Tenniel. I loved seeing the drawings from concept to final illustration.

The next museum on the list was the Metropolitan Museum of Art. I found the museum overwhelming, it is so large. The collections are amazing, but you really have to limit what to see. My favorite gallery was filled with medieval statues, stained glass and icons.

The American Folk Art museum is very small, but had a wonderful exhibit of "Art Brut,"a term coined by French artist Jean DeBuffet. Raw art by untrained artists from the 50's and 60's. 

And last but not least the MOMA where I saw am amazing exhibit of Picasso's sculptures. Picasso worked with everything from plaster, ceramics, found objects, bronze. Whatever caught his fancy. He learned what he needed then played and pushed the limits of each medium - good advice! One of my favorites was this small assemblage.What you cannot see in the photo is, on the back of the sculpture, he made hair out of twine.

The MOMA also has an extensive collection of paintings that rotate on display. I was able to see Jean-Michael Basquiat's painting over a massive canvas covered with collaged journal pages.

Four museums and all manner of mixed media inspiration: pencil, ink, crayon, paint and found objects used to describe each artists vision of figures and faces. I came away inspired, recharged and ready to get to work! I bought some new pens and pencils to try and played with them while waiting for the plane to leave....

Wednesday, September 16, 2015

Winged Inspiration

I love Celtic music and had a chance to attend a music event called Faerieworlds, just outside of Portland, Oregon. Just imagine the potential for magical inspiration! I was not disappointed. Picture a forested setting next to a lake, almost everyone in some sort of fairyland costume. There were elves, fairies, mermaids and pirates. Vendors with everything from silk fairy wings to barbeque turkey legs for sale.
I loved the "Dream Tree" where streamers with paper and clothes pins were used to post your dreams. 

My biggest fascination was the inventiveness of the wings.....

I had my camera and sketchbook on hand and came away with some great imagery. 

We sat under the stars and watched dancers in costume moving to the music. 
It was MAGIC!

Tuesday, August 18, 2015

Art Life

I gave a class at my studio to some wonderful folks last week, including my grandaughter, who is 16 years old and another visiting teen. The class was an abbreviated version of my upcoming class at Art-Is-You Stamford, CT, October 7-9. Sort of a trial run to make sure my instructions were good and I had the right supplies.

One of my class samples for Paint Primer on Primitive

It is alway fun to see what students create from your original concept for a new class and this was no exception. Only a few in the class had made a doll before, and this is a grouping of what was produced. Some are not quite finished, but they are stunning and unique! One person even made a mermaid....

My grandaughter gave me permission to share her work....

Definitely a modern twist on Primitive. 

Finished paintings layed out on the table...

I decided to demonstrate a more modern version of a primitive doll and painting, 
to show how early American primitive style can be done with a twist.

I hope you will consider joining me in Stamford, CT for 
October 7-9, 2015!